Hao Liu, The Romance of Three Hamlets: Shakespeare through a Chinese Prism. Routledge, 2024.
LIU Hao, “Seven Types of Creavitity in Reading Shakespeare”, A Stage for Youth and Shakespeare (proceedings of the 1st Chinese Shakespeare Festival for Students and the 1st Symposium on Teaching Shakespeare), pp. 101-111, Wuhan University Press, 2023.
H. Liu, “Shakespeare and Tang Xianzu: their significance to the formation of world drama”, Neohelicon, 46:1, 2019, pp. 21-36.
LIU Hao, “Image and Meaning in the Cross-Cultural Productions of Shakespeare and Tang Xianzu”, Foreign Literature Studies, 41:4, 2019, pp. 42-51.
Hao Liu, “The Dual Tradition of Bardolatry in China”, Shakespeare Survey 71, 2018, pp. 39-45.
Hao Liu, “Hamlet in Chinese Opera and the Loss of Ambiguity”, Shakespeare and Asia, Jonathan Hart ed., Routledge, 2018, pp. 147-160.
LIU Hao, “Shakespeare as a Cultural Symbol in China”, Comparative Studies of Chinese and Western Cultures in Perspective of Translation Theory 1, 2016, pp. 59-71.
Ivy Hao Liu, “Where Is Mercy Bred: A Reading of As You Like It from the Perspective of the Philosophy of Ren”, Journal of British and American Studies [Korean] 35, 2015, pp. 165-182.
LIU Hao, “The Origin of Mercy in As You Like It”, Sichuan Theatre, 172:12, pp. 133-136, 2014.
LIU Hao, “Transpersonal Perspective and Ethical Orientation in Traditional Chinese Opera”, Confluent 8, 2013, pp. 62-69.
LIU Hao, “Cao Yu’s Translation of Romeo and Juliet and His Playwrighting Theories”, Cao Yu Studies 10, 2013, pp. 106-113.
Hao Liu, “Shakespeare in China: Past, Present and Future”, World Literature and Politics of Minority, Jihee Han ed., Rawat Publications, 2013, pp. 183-205.
LIU Hao, “Theatregoing in Tang Xianzu and Shakespeare’s Times”, Dramatic Art 02, 2012, pp. 76-84.
LIU Hao, “On the Female Images in Shakespearean Drama and Chinese Drama”. Journal of Sichuan International Studies University 22:1, 2006, pp. 24-27.
LIU Hao, “On Brecht’s Misreading of Traditional Chinese Drama”. Dramatic Literature 10, 2005, pp. 73-78.
